Diana Negrín da Silva reflects on José Benítez Sánchez’ use of space and symbolism in his yarn paintings, where circular forms often represent words and waves convey energy exchanges between humans and non-human beings. These elements illustrate the Wixárika commitment to spiritual balance through offerings, ceremony, and respect for natural cycles. The artwork maps sacred geography and life forms—deer, serpents, insects, and birds—revealing a worldview rooted in reciprocity, communication, and deep connection with the land.