Rice granary guardian male and female figures (bululs)

MUSEUM LABEL

DESCRIPTION

Bululs are consecrated wooden figures central to Ifugao life. They are invoked to ensure plentiful rice harvests and are regarded as ancestral presences that mediate between human and spiritual worlds. Carved in male–female pairs and often kept in granaries, bululs are distinctive in an Ifugao pantheon of more than a thousand deities, as they are the only ones given physical form.

This pair was likely created in the early 1900s by master carver Taguiling as a commission from Owen A. Tomlinson (b. 1882), an American Constabulary officer and colonial administrator in Ifugao during the early years of U.S. rule. The bululs’ facial features reflect the likeness of their colonial patron. While serving as ritual guardians of rice, they also capture a moment when Indigenous carving traditions engaged with colonial power, demonstrating both cultural continuity and local agency.

EXPLORE FURTHER

  • 6

    PEOPLE

  • Stephen Acabado close up on face, wearing glasses and smiling, with bright foliage in the background

    Stephen

    Acabado

    Professor, Department of Anthropology at University of California, Los Angeles

  • Gassia Armenian, face of a woman with short brown hair, smiling and wearing an elaborate necklace

    Gassia

    Armenian

    Research Curator

    Fowler Museum at UCLA

  • Armand Camhol with short hair and a thin mustache, wearing a grey button up shirt

    Armand

    Camhol

    Doctoral Candidate

    National Chengchi University in Taiwan

  • Paulette Crespillo seated, with short hair wearing a white and yellow top

    Paulette

    Crespillo-Cuison

    President of the Kiyyangan Weavers Association

    Member of the Save the lfugao Terraces Movement (SITMo))

  • Eulalie Dulnuan wearing a white shirt and a necklace with multiple strands of beads, her hands are raised as if caught gesturing while talking

    Eulalie

    Dulnuan

    Tourism and Cultural Officer

    President of the Ifugao Intangible Heritage and Performing Arts Society

  • Marlon Martin wearing tinted glasses and looking straight at the camera

    Marlon

    Martin

    Executive Director of Save the Ifugao Terraces Movement

    Co-director of Ifugao Archaeological Project

ADDITIONAL RESOURCES