Cyndy García Weyandt describes how Wixárika yarn paintings represent ceremonial geographies. Through drumbeats and the mara’kate chants, participants are transported to sacred places—mountains, sky, ocean—where offerings connect humans with more-than-human beings. Symbols like deer faces signify sacrifice, enabling relationships with spiritual entities. The artwork reflects Wixárika cosmogeography and serves as a map of ancestral sites and pilgrimage routes tied to the corn cycle, where interactions with animals, plants, and elders guide the giving of offerings.