Gina Athena Ulysse positions Myrlande Constant alongside internationally recognized artists like Faith Ringgold and El Anatsui, emphasizing her brilliance and spiritual depth. She notes how Constant’s large-scale works engage universal questions of the human condition, yet are often overlooked due to narrow portrayals of Haiti and Vodou. Ulysse critiques how these stereotypes obscure Constant’s artistic mastery, arguing that her work deserves greater recognition within the broader contemporary art world.