Patrisse Cullors had a dual role in The House Was Too Small: an advisor and a contributing artist. The new work she created for the exhibition was her first public expression as a practitioner of Ifá, expanding her established identity as an artist and abolitionist. Erica Jones explains how Cullors' piece, alongside historical objects and contemporary works by diviners, highlights Yoruba-based religions as vibrant, living practices rather than traditions frozen in the past.